
In the 12 months since we invited PLiNTH & CHiNTZ readers to participate in a Social Responsibility and Interior Design Survey, the year has evaporated into the ether, no doubt fueled by the collective demands of projects and life in general. During that time, the instigator of this quest for information – i.e., 20-year industry veteran and Assistant Professor of Interior Design at the University of North Texas, Johnnie Stark, RID, ASID, IDEC, LEED AP – has utilized her scholarly skills to analyze the results, configure them in an academically accepted format, and share them with the world via an official paper and, we’re pleased to say, here on P&C via this interview revealing her motivations, findings and conclusions.
First
off, why this topic?
Sustainable
design is my primary research interest. Since sustainability is a vast,
multi-layered topic, I have focused my study on the attitudes, skills and
behaviors (on the part of design professionals and students) that lead to
sustainable outcomes.
In my life
before full-time academia, I was employed in various positions in the
commercial interiors industry. I also worked as a freelance textile designer
and sales representative when "green" textiles were first under development.
So, I often use textile design as a means to study sustainability.
Goals for
this study were to explore designers' perceptions of social responsibility and
the relationships - or disconnects - between socially responsible decision
making and practice. We asked questions about social and environmental impacts
in both the textile life cycle and design practice in general.
What
did you know going in that helped shape what you asked and how you asked it?
Some things
we knew based on previous writings and studies (which you can find references
to at the end of this article):
- An attribute-based approach is used to specify green building products, materials, and systems.
- The “triple bottom line” sustainability triangle balances economic, environmental, and social issues.
- Designers have traditionally understood the social ethics or “the human side of the triangle” in terms of client or occupant health and safety.
- Social responsibility and environmental responsibility are interrelated but not interchangeable.
- Life cycle assessment requires an understanding of human and ecosystem health throughout the product supply chain.
- The “sustainability gap” exists between how designers think they should practice sustainable design and how they are able to practice it.
Before
we get into the findings, fill us in a little on the respondent profile.
Most of the
respondents were practicing interior design full or part time (72.2%), 60% had more
than five years of experience, and 30+% had practiced 21 years or more. 38.1%
were self-employed and 41.2% worked for a company or institution. There was a
balanced representation of residential and commercial designers.
And
now on to the results. We don't really have the room to go over every little
detail, so can you just give us the highlights?
Yes, the
questionnaire was extensive and generated a large quantity of data. Here is an
overview of our findings...
DEFINITIONS
OF SOCIAL RESPONSIBILITY (SR)
Briefly
describe your understanding of "social responsibility" as it relates to
interior design.
(open comment question; chart shows frequency of responses and emerging
categories)
|
Category
|
Subcategory
|
|
|
30.2%
Design Process:
Materials
Selection
|
Reduce,
reuse, recycle; locally sourced; non-toxic
|
11.8%
|
|
Sustainable
approach; use green specs
|
8.6
|
|
LCA; how
product is made
|
7.9
|
|
Certifications;
standards
|
1.9
|
|
25.7%
Health, Safety
& Welfare
|
HS & W for clients; current end users
|
11.2%
|
|
HS & W for the general public; current population at
large
|
9.2
|
|
HS & W for human beings, environment over time; "future
generations"
|
5.3
|
|
17.8%
Practice
|
Individual
ethics; responsibility to educate others; support community
|
14.5%
|
|
Provisional
outcomes; look to others in industry to define responsibility
|
3.3
|
|
13.9%
Design Process:
Strategies
|
Conservation; waste reduction; timeless solutions;
inclusive/universal design
|
5.3%
|
|
Balance client requirements & environmental resources;
make money and save environment; best value
|
4.6
|
|
Meet or exceed client requirements
|
4.0
|
|
10.5%
World View
|
Triple
bottom line; society at large; cultural sensitivities
|
5.9%
|
|
Do no
harm to the environment
|
4.6
|
|
|
Don't know; not sure
|
1.9%
|
|
|
[97
participants generated 152 responses]
|
100%
|
TEXTILE
SPECIFICATION - SR
ATTITUDES & PRACTICE
How important is social responsibility
when specifying textiles for a project?
Although
77.3%
rated
social responsibility as extremely or very important when specifying
textiles, 41% ranked social and environmental impacts as the least two
important factors when asked to prioritize a list of attributes that also
included aesthetics, cost, health and safety, and performance criteria.
EXTRA: DEFINITIONS OF ENVIRONMENTAL AND SOCIAL IMPACTS AS USED IN THE SURVEY
|
Environmental impacts on ecosystems of: Raw
materials harvesting & processing, fabrication,
shipping/distribution, installation, product use, maintenance,
reclamation/end of use
Social impacts on the health and well being of people involved in:
Life cycle stages of the product as described above PLUS: Equitable
living standards; Respect for human rights; Employee training |
What
have you heard about The Sustainable Textile Standard (currently in development
by ACT, GreenBlue©2006, NSF and ANSI)?
86.5% had heard nothing or very little about the Standard.
Throughout
this section, responses indicated a low awareness of existing evaluative tools
and a "disconnect" or "gap" between what is valued in a standard and what is
actually used in practice.
For
example, respondents were somewhat familiar with the Greenguard Environmental
Institute and ISO 9000 and 14000, but other standards or agencies* all received
the highest scores in the lowest, or not familiar category.
And
although several questions indicated that designers value the third-party,
anti-greenwashing specification approach, the most common sources for product
information were market based: manufacturers'
literature and websites, manufacturers' representatives, trade publications,
trade shows.**
EXTRA: RESPONDENTS' CHOICES
|
*Association
for Contract Textiles (ACT), Scientific Certification Systems (SCS), C2C -
McDonough Braungart Design Chemistry (MBDC),©2009, the SMaRT© Sustainable
Textile Standard 2.0, the Global Organic Textile Standard, and Eco labels.
**Other
available choices - professional organizations/websites; CEPH presentations;
product standards and testing agencies; research journals/websites; textbooks. |
I will not
go into more detail on the other sections, but we also asked questions about general
design practice.
EXTRA: AS DEFINED IN THE SURVEY
|
Socially responsible business practices: Employee health, well-being; Employee training; Fair compensation & benefits; Community involvement; Philanthropic donations
Environmentally responsible business practices:
Office paper & supplies made from recycled content; Minimal packaging / recycled content in packaging; Efficient practices for energy and water use; Carpooling or mass transit supported |
So
what are your conclusions?
In our investigation,
behaviors associated with textile specification did not necessarily relate to
general sustainable design practice. In contrast to "the sustainability gap" we
saw in the relationship between textile social responsibility attitudes and
textile specification practice, questions about general design practice
(residential and commercial) indicated that a higher importance assigned to SR
did translate into the use of sustainable design as a standard approach.
Interestingly,
those working primarily on commercial projects seemed to be using sustainable
design approaches less on the basis of their own sense of the importance of SR.
They were also slightly more likely overall to report that incorporating
sustainable design approaches was a required standard project practice and that
a higher percentage of their projects employed sustainable design and green
products. As an emerging pattern, these relationships warrant more
investigation.
Although
the textile industry is a good model of a complex supply chain, designers may
assign less importance to textile specification than systems and products
associated with the building envelope. However, priorities for sustainably
designed textiles are related to a holistic approach in FF&E
specification, and awareness of evaluative standards and the means to locate
unbiased, transparent information is basic to general sustainable design
practice.
Responses
across the study indicated that designers were motivated by...
· external
factors, such as
client preferences, project criteria, company standard practice, market
information, and third-party data, and
· internal
convictions, based
on a personal world view, professional ethics, or a holistic design approach.
Seeking
balance between these factors was a common theme.
Where
do you see social responsibility going as it relates to the interior design
industry?
Efforts to
incorporate consideration for both environmental impact and social equity
issues are underway on a global scale through the assessment tools of environmental
product declarations, eco-labeling and sustainable product standards. Although
still voluntary, the trend is toward more widespread use and regulations
(especially in the EU, European Union, for example).
Designers
will continue to be called upon to navigate these complex issues and balance
the motivators of conscience, client, criteria and regulation.
For
those who want to dig a little deeper into your findings, how can they access
more information?
They can
email me, Johnnie.Stark@unt.edu, and
the full text of the paper is available through the conference proceedings
publication:
Stark, J. & Cudhea, M. (2010).
The human side of the triangle: Using green textile standards to address social
responsibility. In S. Hernandez, C.A. Brebbia & W.P De Wilde (Eds.), WIT
Transactions on Ecology and The Environment: Vol. 128. Eco-Architecture III,
Harmonisation between Architecture and Nature (pp.525-536). Southampton: WIT Press. http://library.witpress.com
(Ms. Maia
Cudhea, UNT graduate student in sociology, assisted in the statistical data
analysis.)
Do
you have any other recommended reading on similar topics?
Yes. These
readings correspond to the "what we knew going in" list:
Spiegel, R. & Meadows, D.
(2006). Green building
materials: A guide to product selection and specification. New Jersey: John Wiley & Sons.
Elkington, J. (1999). Cannibals with forks: The triple
bottom line of 21st century business. Oxford, UK: Capstone Publishing Ltd.
Wendt, A. (2009). Building for
people: Integrating social justice into green design. Environmental Building
News, 18(10) 1, 10-15.
Dunning, D. & Zander, R. (2008). A vision
revisited: Sustainable product design + evaluation. The Green Guide to NeoCon® by The Green Standard, 24-28.
Pearson, J. (2006). Design & sustainability:
Opportunities for systemic transformation. Charlottesville, VA.: GreenBlue. Online (PDF) here.
Stieg, C. (2006). The sustainability
gap. Journal of Interior Design, 32(1), vii-xxi.
Any
final comments?
Working
with PLiNTH & CHiNTZ has been an invaluable opportunity to reach a broad
audience of design professionals and students. Through this initial study,
I have learned a lot about future strategies for studying social
responsibility and interior design.
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